Entry tags:
scenesters OR: letter to a harsh critic
forgive the indulgent start, I need to start here or else I won't know where to go:
in 2022 during a part of my life where I thought about killing myself every day I corralled half a million angry thoughts about art into an LP, which was titled "BOYMODERS UNION," a title deliberately meaningless. the art was more deliberate, a cutesy sissy-porn furry positioned in front of ad copy for disposable sex slaves I wrote during a breakdown. I meant to parodize the cliche of (white) Trans Woman Music - loud, poorly mixed amalgams of colonized genres, self-referential and based around idiotic in-jokes (I was thinking of an artist I'd seen around called "DJ Submissive and Breedable") - juxtaposing it with themes of erotic horror and midwest emo. unfortunately I overestimated the amount of attention the average internet user would pay to an album cover or title. people took it as an example of that kind of Ada Rook worship instead of a raging expression of fear. TONY ZARET'D! POE'S LAW'D! whatever.
the value of that particular sentiment is debatable, especially considering how much i obscured this point. RYM user cahcd described it as "a petty and nonsensical thing to get mad at," not inaccurately. it was a manifestation less of specific critique and more a general fear of being left behind by my peers. like sixth grade math class. I ended up being embraced completely by those peers, except in a way that I was disgusted by, because it seemed as though my effort to make a point was being ignored. I was contributing to the thing I hated most. I tried to alienate people, putting deliberately offensive things in the bandcamp description, deleting the album repeatedly. this only made internet randos get even more parasocial about it. I had a (tiny) audience and I hated it. I repressed myself as hard as I could out of spite. I stopped publicly identifying as trans.
i dont think my feelings were unjustified though. just disorganized. after all, a lot of that extremely-online music was shallow and not really built to last. who even remembers giratinightcore: silver, an album barely two years old? shit, who the FUCK remembers boymoders union? (abby does. love you abby.) it is this idea that art is not individual expression but a rapid rush, a mad grab to be a part of something, to participate in something bigger than yourself. and this is the point that boymoders was trying and failing to articulate. cahcd called this "essentially just trying to satirize groups of people who are into certain genres at certain times." this statement was supposed to make the album's concept sound petty and absurd. but that is, accurately, what the record was trying to do! music exists to try to express complex emotions; that was the complex emotional state the album was trying to express.
basically i am deeply uncomfortable with the idea of an art scene. (see: "the republic" from 10 months ago.) I like the idea of hanging out with my friends and doing shit. I hate the idea of that completely performative bullshit of making dariacore or digicore or whatever. I dont think I was doing anything wrong by shit talking it. it's small independent groups of people recreating little microcapitalisms. what the fuck is their problem? my class is over. brb.
in 2022 during a part of my life where I thought about killing myself every day I corralled half a million angry thoughts about art into an LP, which was titled "BOYMODERS UNION," a title deliberately meaningless. the art was more deliberate, a cutesy sissy-porn furry positioned in front of ad copy for disposable sex slaves I wrote during a breakdown. I meant to parodize the cliche of (white) Trans Woman Music - loud, poorly mixed amalgams of colonized genres, self-referential and based around idiotic in-jokes (I was thinking of an artist I'd seen around called "DJ Submissive and Breedable") - juxtaposing it with themes of erotic horror and midwest emo. unfortunately I overestimated the amount of attention the average internet user would pay to an album cover or title. people took it as an example of that kind of Ada Rook worship instead of a raging expression of fear. TONY ZARET'D! POE'S LAW'D! whatever.
the value of that particular sentiment is debatable, especially considering how much i obscured this point. RYM user cahcd described it as "a petty and nonsensical thing to get mad at," not inaccurately. it was a manifestation less of specific critique and more a general fear of being left behind by my peers. like sixth grade math class. I ended up being embraced completely by those peers, except in a way that I was disgusted by, because it seemed as though my effort to make a point was being ignored. I was contributing to the thing I hated most. I tried to alienate people, putting deliberately offensive things in the bandcamp description, deleting the album repeatedly. this only made internet randos get even more parasocial about it. I had a (tiny) audience and I hated it. I repressed myself as hard as I could out of spite. I stopped publicly identifying as trans.
i dont think my feelings were unjustified though. just disorganized. after all, a lot of that extremely-online music was shallow and not really built to last. who even remembers giratinightcore: silver, an album barely two years old? shit, who the FUCK remembers boymoders union? (abby does. love you abby.) it is this idea that art is not individual expression but a rapid rush, a mad grab to be a part of something, to participate in something bigger than yourself. and this is the point that boymoders was trying and failing to articulate. cahcd called this "essentially just trying to satirize groups of people who are into certain genres at certain times." this statement was supposed to make the album's concept sound petty and absurd. but that is, accurately, what the record was trying to do! music exists to try to express complex emotions; that was the complex emotional state the album was trying to express.
basically i am deeply uncomfortable with the idea of an art scene. (see: "the republic" from 10 months ago.) I like the idea of hanging out with my friends and doing shit. I hate the idea of that completely performative bullshit of making dariacore or digicore or whatever. I dont think I was doing anything wrong by shit talking it. it's small independent groups of people recreating little microcapitalisms. what the fuck is their problem? my class is over. brb.